The Young Writer shortlist is fantastic, and we had a great afternoon chatting to the shortlistees and hearing them read and being interviewed by Andrew Holgate, prize judge and Literary Editor of The Sunday Times (below). You can read more about it on my critical blog, Fictionbitch, and the thoughts it prompted for me concerning innovative fiction and marketing.
After that it was off to Word Factory. I was reading with Lionel Shriver and novelist and Mslexia editor Debbie Taylor, at the end of a day-long festival for short-story writers, Small Like a Bullet. I read the title story from my collection, Used to Be (and the really great audience was gratifyingly receptive, laughing in all the right places - I guess a roomful of storytellers was just the right audience for a story about story-telling!). Debbie then read from her latest novel Herring Girl, which I have recently read: a fascinating and really quite daring tale of reincarnation set exactly where she lives, in a converted lighthouse at the mouth of the River Tyne, with a depiction of the past so vividly real and particular that I suspect Debbie of having indeed been there then! Finally Lionel entertained us with the tale of her commission from a luxury hotel chain, which she fulfilled by writing a story subverting the whole idea of luxury hotels. She then read us the story, in which, with her customary verbal irony, she put paid to the notion of luxury itself.
Afterwards poet and Word Factory organiser Cathy Galvin chaired a discussion that ranged from the the popularity or otherwise of short stories and publishers' attitudes to them, to the question of whether they are leading to brand-new forms that defy categorisation - Max Porter's Grief is the Thing with Feathers, one of the shortlisted books in the Young Writer Award, being cited as an example. Here's a photo taken by my online friend and Word Factory regular Oscar Windsor Smith:
And as I was coming back on the train next day, I discovered that there's a new review of Unthology 7 from brilliant writer Aiden O'Reilly. He loves the anthology:
I think this is probably the best anthology I’ve read, including all those ‘best new’ anthologies that come out every couple of years. There are just so many standout stories here
and I am of course thrilled by what he, such a talented writer himself, says of my story:
I loved the prose of Elizabeth Baines’ Looking for the Castle ... it’s just perfectly written.